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Event Horizon
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Film vitals
· Year: 1997
· Director: Paul Anderson
· Writer:
· Cast: Laurence Fishburne, Sam Neill
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Synopsis
When a space ship with an experimental warp drive--the Event Horizon--suddenly reappears near Jupiter seven years after it disappeared, a rescue crew and the Horizon's creator are sent to investigate. They find the ship apparently abandoned . . . but soon discover that they are not alone.
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Jack Witzig written in 1997
RATING
Out of 100
82

COLD ANALYSIS
3.75 -ATMOSPHERE
2.75 -GORE
1.75 -HUMOR
1.0 -SCARES
3.5 -TENSION
As both a science-fiction and horror film, Event Horizon's antecedents are obvious. The sci-fi portions of the movie borrow to a great extent from Alien, with something of Star Trek: The Next Generation and The Black Hole thrown in. However, the sci-fi elements of this movie are merely the film's manifest base. At its core, Event Horizon is a haunted house in space. Its story is almost textbook gothic horror; most of the gothic archetypes are in place: secluded location, darkness, imposing architecture, and the fact that the "evil" needs someone good to help it. The fact that there are no ghosts (as such) is irrelevant--the movie works the same way as a ghost story.

The cast is, as a whole, up to the challenges with which the movie presents them. No one person stands out, which is probably just as well in an ensemble piece such as this. However, several actors manage to form the core of the cast. Richard T. Jones, although his character almost has "comic relief" tattooed on his forehead, performs his part well, giving the movie moments of levity most horror films lack. Sam Neill gives an interesting performance that is an edgier version of many of his earlier ones. Laurence Fishburne, who starts by being monotonously boring, almost imperceptively deepens his performance through the movie, leaving me feeling quite good about his work here.

And Fishburne is better than the writing sometimes deserves. Though the trick of moving classical horror into a science fiction realm couldn't have been an easy one--and it was done reasonably well--it could have been done better. The writers captured the essence of a haunted house movie (no easy feat either), but they failed at the level of characterization. The motivations of some of the characters (especially Kathleen Quinlan's Peters) simply don't hold up. However, in a haunted house movie, the writing is sometimes not terribly important. (Look at Kubrick's The Shining--despite unreal characters and even questionable acting, it still works). What is often important for an effect is: a) excellent directing, b) creepy music, and c) having either slowly creeping horror or outright terror. "Event Horizon" definitely has the music and the excellent directing. Paul Anderson (Mortal Kombat) does a hell of a job here. His directing is stylish and enhances the story well. Although "Horizon" doesn't achieve the level of horror to which it aspires, it does do something many horror films don't--it sticks with you. Event Horizon created the same sort of sick fascination that are the province of Dawn of the Dead and Vertigo. (And calm down, I'm not directly comparing this movie to Hitchcock's masterpiece.) Any movie that can make the viewer feel vaguely dirty for hours afterward has something good going for it.

Scarecrow jul 16, 1999
RATING
Out of 100
4.0 of 5 stars
Wow! This movie really blew me away when I first saw it. It is fantasticly paced and really keeps tension levels high. This SF Horror mixes excellent CGI effects and large amounts of gore (of a Hellraiser proportion) to create a truly horrific film. The ship presents as much an evil presence as the Amityville house from the third film and obviously poses a threat to the salvage team. One thing struck me while watching this though is that it could so easily be a sequel to Hellraiser. All its ideas can be found in that series and by the end one of the main characters has practicly become a Cenobite! Anyway, the film presents plenty of scares and a suitable amount of blood and violence. Lawrence Fishburne puts in a brilliant preformance, but my award goes to Sean Pertwee (son of the great Jon Pertwee) who brings across the role of a desperate man, scared out of his life to perfection. This was one of the best films I've seen in a long time and I definetly recommend it.

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