| Artwork |
 |
| COVER GALLERY |
| Film vitals |
|
· Year: 1980
· Also known as: A Long Night at Camp Blood
· Director: Sean S. Cunningham
· Writers: Victor Miller, Sean S. Cunningham
· Cast: Betsy Palmer, Kevin Bacon
|
| Series info |
|
Part of the Friday the 13th series.
|
| If you liked this, try |
|
|
| Purchase |
|
Amazon.com
Amazon.co.uk
|
| Links |
|
|
|
| Synopsis |
|
When Camp Crystal Lake reopens after years of being closed, a group of teen camp counselors is terrorized by a murderer who may be tied into an old tragedy.
|
|
|
|
RATING Out of 100 |
|
54
|
|
| COLD ANALYSIS |
|
ATMOSPHERE
|
|
GORE
|
|
HUMOR
|
|
SCARES
|
|
TENSION
|
Probably the most infamous slasher movie (Halloween may be just as well-known, but it does have the undeniable air of quality around it), Friday the 13th isn't great, but when it doesn't give in to its excesses, it does feature some decent macabre touches. Director Sean S. Cunningham is definitely capable of staging a few nice mood-setting scenes, but he needs to settle down to do so, and he doesn't seem to want to. Even the writing wasn't too bad at parts; Some of the dialogue is actually inane in a realistic way, as opposed to just being inane.
On the other hand, as the blood starts to flow, the movie loses its head. The acting goes south (not that it was great to begin with), and characters' actions serve as a primer on how to get killed in a slasher flick. (Lesson one: Close the curtains of two windows in a house, observe a body thrown in through a third, and position yourself directly in front of a fourth. Lesson two: Block the entrance to one door with furniture but completely ignore the other nearby entrance to the room you're inhabiting.) The movie finally evolves into a cat-and-mouse game that manages tension at points and leads to a finale that may rip off Carrie, but at least does it well. In the end, Friday the 13th simply falls victim to the cinematic slayer that's plagued slashers almost since their inception--it sacrifices style in the name of blood and gore. At least it took until the second half of the movie for it to do so.
|
|
|
| RATING |
|
The shadow of 'Halloween' looms omnipotently over this little horror flick made two years after John Carpenter's low-budget horror classic, but it is still just a shadow, a reminder of what is possible. 'Friday the 13th' has a nice backstory building up, aiming for a climax never to come. Well, it does come, but it is just lame and strangely boring.
There are people dying on the screen, but they die in such numbers and in such frequency that this can be neither horror, nor slasher; it is simply splatter, and at its worst, if it wasn't for some nice camera work and the scenery. This movie actually feels bigger than its above cited nemesis, which is merely due to the set. Also, there is some nice and sublime work with light and darkness, but that's it. Where's the music, by the way?
Badly acting younsters with ridiculous 70s hairdo and outfit being chased by some killer, well, there are things more interesting than that. But everything aforesaid could still be improved by a good ending. But what we see happening here is perhaps the worst possibility come true: What could have stayed a dream sequence, and a perfect one, develops into a pseudo-Mike Myers spawning a movie series. That hurts, and it ruins the rest of the movie: you get the feeling that the rest was irrelevant as the only sense behind it was an ending aimed at allowing a sequel to exist; an ending which doesn't seem to fit into the entire movie. A movie which introduces the supernatural element as a quick fix at the end feels like cheating. Boogieman ex machina.
|
|
|
RATING Out of 100 |
|
|
| COLD ANALYSIS |
|
ATMOSPHERE
|
|
GORE
|
|
HUMOR
|
|
SCARES
|
|
TENSION
|
Okay, first off, let me state that I know this is pointless, plotless slasher made to satisfy a new breed of teenage audience. But, actually, this film is quite entertaining. Not yet bogged down by endless sequels or a demonic killer, this film comes across as being quite fresh. The gore level is tame compared to the later episodes, but it still can shock. Generally, the acting is all right and the script is well-paced. By no means is this film a masterpiece of cinema, but it can still entertain, and it provides all the bloody deaths and shocks the audience wants. And, if by some freak of nature, you don't know the identity of the killer, you could genuinly get a surprise. Watch it with mates, have a laugh and then remember Jason . . .
|
|