| Artwork |
 |
| Film vitals |
|
· Year: 2002
· Also known as: The Thirteenth Child, 13th Child: Legend of the Jersey Devil, Volume
· Director: Steven Stockage
· Writers: Michael Maryk, Cliff Robertson
· Cast: Michelle Maryk, Cliff Robertson
|
| Information |
|
· Shot in the New Jersey Pine Barrens, this film received its initial release in New Jersey, Pennsylvania, and Delaware only.
|
| If you liked this, try |
|
|
| Products |
|
Amazon.com
· Book: The Jersey Devil, tie-in edition
|
| Links |
|
|
|
| Synopsis |
|
A series of vicious murders in the New Jersey Pine Barrens cause an investigator to question if the Jersey Devil--a winged beast who locals claim has haunted the Barrens for over 250 years--isn't more than a myth.
|
|
|
|
RATING Out of 100 |
|
51
|
|
| COLD ANALYSIS |
| 3.0 -ATMOSPHERE |
| 2.0 -GORE |
| 1.5 -HUMOR |
| 1.25 -SCARES |
| 1.25 -TENSION |
Though the legend of the Jersey Devil has been around since 1735, aside from the tangential approach taken by the remarkable Last Broadcast, the myth itself hasn't received a big-screen treatment. And it still hasn't. Though the writers' choice to abandon the actual legend of the Jersey Devil doesn't completely wreck the narrative of 13th Child, why alter a classic story unless you can improve on it? The actual legend is that a Pine Barrens woman, faced with the unpleasant prospect of giving birth to her thirteenth child, curses it to lead an existence of wandering the woods as a goat-like creature. In this film, the Devil was a shaman's thirteenth child who was wrongly executed and became a shapeshifting creature to enact revenge. The reinvention of the legend doesn't result in a bad story, admittedly, but the real legend of the Devil has been so enriched over the last two hundred and seventy years that it seems a shame to drop it completely.
13th Child may not have much appeal on the level of folklore purism, and its grasp on facts isn't so hot either. The film has a stereotyped view of south Jerseyans, and its ideas of how police and scientific investigations proceed aren't exactly encumbered by the dictates of reality. In addition, the script makes too many concessions intended to push the plot along, like staging several awkward question-and-answer "conversations" that are just thinly veiled expositional speeches; they seem like pale imitations of the Lecter/Starling interrogations in The Silence of the Lambs without anywhere near the same delicate interaction.
But don't take my reservations as indication that 13th Child has nothing to offer as a piece of entertainment. Although the film's low-budget origins are evident, they're not overpowerng; even the lesser- and unknown actors are believable in their roles, and director Steven Stockage arranges a few interesting shots and stages balances the gore in action scenes with some restraint. Given more experience, he could evolve into a stylistic director. But for now, he and the actors have lent their talents to a movie that has potential but isn't well-formed; a work that took a deep pool of folklore and only played in the shallow end.
|
|